Famese Ates Who Did a Monochromatic Painting Names of Famese Artes Who Did a Monochromatic Painting
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The Monochrome: A History of Simplicity in Painting
Past Tori Campbell
What is a monochrome?
A monochrome or monochromatic painting is one created using just one colour or hue. It can use different shades of one color but by definition should comprise only ane base of operations color. For more than a hundred years artists take used a single color every bit a vehicle for exploring both the potential and limitations of painting, using this reductive formula to experiment with formal concerns of composition and tonality, or to advance theories related to nature, the sublime and analogous spiritual concerns. Rendered with geometric precision or with the nuance of expressive brushstrokes, the monochrome is an enduring idiom of avant-garde modernism.
i. Kazimir Malevich
Fascinated with speed and its corresponding engineering like airplanes and cars, Kiev-built-in artist Kazimir Malevich (1878-1935) joined composer Mikhail Matyushin, and author Alexei Kruchenykh in 1913 to create a manifesto for the Offset Futurist Congress. Building upon his fascination with airplanes, Kazimir Malevich introduced his famed geometric abstraction Suprematist Limerick: White on White at the 1915 show 0.ten: The Last Futurist Exhibition, held in Petrograd. A white foursquare laid atop a background of white, seemingly floating with no tether to our physical reality, Malevich's White on White sought to create the feeling of transcendence he associated with airplanes and aerial photography. The painting was radical for its day, and though the choice of white could be seen as impersonal or cold; the traces of the creative person that can be seen within the texture of the paint, and his belief that the color was associated with a realm of higher feeling lends a warmth and expansiveness to the work.
two. Josef Albers
Courtesy of Dallas Museum of Fine art
German-American artist Josef Albers (1888-1976) is thought of every bit 1 of the foremost leaders in monochrome and colour theory. After studying art at the famous Bauhaus schoolhouse of art, blueprint, and architecture; he became a professor there. When the schoolhouse was closed by the Nazis in 1933, Albers and his fellow Bauhaus-artist wife Annie Albers moved to America. In America he became the head of Black Mount College, a new art and pattern school in Northward Carolina that had absorbed the Bauhaus ideology and many instructors. During his fourth dimension at Blackness Mount College, Albers began to teach, create, and experiment with colour theory. In 1949, Albers left Blackness Mountain College to serve every bit the Caput of the Design Section at Yale University, at the same time, he began his 25 year exploration of his series Homage to the Square.
"If one says 'cherry' (the name of a color) and there are 50 people listening, it tin exist expected that there will be 50 reds in their minds. And one can exist sure that all these reds will be very different."
Josef Albers, Interaction of Colour (1963)
Exceptionally elementary in concept, but extraordinarily effective, Albers' Homage to the Square series is comprised of four superimposed oil-applied squares on a Masonite panel. Never painted, his pieces were practical from a palette pocketknife direct onto the console, and the technical details for the cosmos of these pieces was meticulously recorded onto the backs of each. A serial created to explore the deceptiveness of colour, and the importance of visual perception, Albers' book Interaction of Color, published in 1963, can be seen as the culmination of this seminal exploration.
3. Advertisement Reinhardt
Adolph Frederick Reinhardt, virtually commonly known as Ad Reinhardt (1913-1967) was an abstract painter agile in the New York arts scene from the 1930s to 1960s. Best known for shaping the face of the minimalist and monochrome painting movements, Reinhardt was a member of American Abstract Artists and was active in the abstract expressionism movement taking place at the Betty Parsons Gallery. Inspired by Kazimir Malevich'south Black Square, Reinhardt produced his Black Paintings series from 1954-1967. A pioneering and final series at one time, he proclaimed them "the last paintings one can make" every bit he believed the works to be the final evolution of Modernism. The series is comprised of muted black oil paintings on sheet, all expressing very subtle shifts in tone and shade which lends a contradictory complexity to its simplicity. Reinhardt was securely philosophical and explained his Black Paintings:
"As an artist I would like to eliminate the symbolic pretty much, for black is interesting not every bit a color but as a non-color and as the absence of color."
Advertizing Reinhardt
A reflection of, and reaction to, the climate of Cold War America – Reinhardt'southward musings in the form of monochrome squares tin can be seen as his want to create artworks that could overcome the terrors and struggles of antagonism and war.
4. Frank Stella
Courtesy of The Whitney Museum of American Art, New York, NY.
"What you see is what you see" Frank Stella (1936- ) famously explained in a 1964 radio interview about his Black Paintings series when he was only in his late 20s. With an education in history but a passion for art, Stella moved to New York Metropolis in 1958 and was inspired by Jasper Johns' stripes and rings of colours shown in his first solo exhibition. Just i yr after, at the age of 23, four of Stella'due south paintings were included in the xvi Americans exhibition at the Museum of Modern Art in 1929. Those four paintings were the starting time of a serial of 23 Blackness Paintings, likewise as his reputation every bit a shocking and talented artist. Setting the stage for minimalist artists everywhere, Stella's Black Paintings sought to separate themselves from human feel and instead create a new visual literacy . A difference from the prevailing emotionality of Abstract Expressionism his works contained no ambiguity and a clear intention. Stella's Black Paintings of angled white lines against a painted black canvas created mesmerizing and occasionally dizzying patterns with no hidden meanings.
"My painting is based on the fact that only what tin be seen in that location is at that place. It actually is an object. . . All I want anyone to go out of my paintings, and all I always become out of them, is the fact that you tin can come across the whole idea without whatsoever confusion… What you lot meet is what y'all see."
Frank Stella, 1964
Stella went on to go the youngest artist to exhibit a solo bear witness at the Museum of Modern Art in New York, and has created hundreds of artworks since. Nevertheless, his Black Paintings are to be noted in history for opening the door to the possibility of the cosmos of art exterior of human emotion and experience.
5. Yves Klein
© The Estate of Yves Klein c/o ADAGP, Paris
French artist Yves Klein (1928-1962) took a new step as an artist when he created a new color: International Klein Blue. Adult in collaboration with Edouard Adam, a French pigment supplier, the pigment uses a synthetic resin binder to append the color and make the hue as intensely ultramarine as possible.
"What is blue? Blue is the invisible becoming visible. Blue has no dimensions, it is beyond the dimensions of which other colours partake,"
Yves Klein
Klein became associated with the colour the moment he famously declared the blue sky as his first artwork. From there, his International Klein Blue became a near-constant fixture in his works, utilising the paint to create monochrome abstractions that covered entire immense canvases. In i memorable instance, he fifty-fifty created a piece with just the pigment and women's bodies on canvas. Klein viewed monochrome painting as freedom, and proclaimed its usage equally enabling him to be "immersed in the immeasurable existence of color."
Yves Klein: How texture affects our perception of colour in Blueish Monochrome | AT THE MUSEUM
6. Lucio Fontana
Lucio Fontana, Concetto Spaziale (Rosso), 1968, 3D multiple in blood-red plastic, 30x30x2cm
Courtesy of Gustavo Gili and Galeria René Métras, Barcelona.
Known as the founder of Spatialism, Argentine-Italian creative person Lucio Fontana (1899–1968) is best known for his integration of three-dimensionality into his paintings. His Concetto Spaziale (Spatial Concepts) series of monochrome paintings gain their third-dimension violently, with a cutting or puncturing of the canvas, that leaves gaping holes and slash-marks in the work. These pieces highlight the infinite behind the picture, alerting the audience to new spaces and forms. Interested in the pre-Globe War I proclamations of Futurists, Fontana sought to integrate his materials and works within infinite in new ways while creating a gestural language of expression through movement.
7. Robert Ryman
Courtesy of Tate (purchased 1983)
All-time known for his minimalist and monochrome white on white paintings, American creative person Robert Ryman (1930-2019) idea of himself commencement and foremost equally a realist, explaining,
"I am non a film painter. I work with real light and space, and since real calorie-free is an important attribute of the paintings, it always presents some problems."
Robert Ryman
Interested in presenting his materials in a unproblematic and earnest way, Ryman'southward pieces feature white or off-white pigment on a square materials. Utilising abstract expressionist-inspired brushwork, he enjoyed experimenting with his media, not limiting himself to traditional canvases simply besides incorporating linen, steel, wallpaper, featherboard, newsprint, burlap, and many other surfaces for the application of his monochrome works.
8. Agnes Martin
Courtesy of Tate (© Estate of Agnes Martin / DACS, 2019)
Canadian-American artist Agnes Martin'south (1912-2004) abstract works inspired past nature are proof of her 1972 claim that "Annihilation can exist painted without representation." Her signature blueprint of a freehand grid provides a foundation for her monochromatic paintings of interlocking horizontal and vertical lines. Created nearly exclusively on vi square feet of sail, her loosely geometric paintings appoint with the organic and natural.
Shifting in scale, color, and rhythm in each work; her gridded paintings are simply somewhat systematic – especially when compared to the work of other minimalist artists. Her utilise of pastels and soft colours, light graphite work, and the occasional dashing or dotting creates an surroundings for deep reflection and placidity contemplation: a moment of reverence between the piece of work and its audience.
ix. Ellsworth Kelly
© Ellsworth Kelly
Though he may exist best known for his employment and combination of vivid colours, approximately twenty percent of Ellsworth Kelly's (1923-2015) paintings were completed in black and white. The American painter, sculptor, and printmaker was always interested in the shapes that surrounded him in everyday life, and thus, he played with them in his art.
By working in monochrome, the distractions of colour and its corresponding meanings were removed, and Kelly was able to enjoy new freedoms to focus solely on form. Geometric and organic, his monochromatic pieces occasionally straight copied existent-life forms, such as his famous Window, Museum of Modernistic Art, Paris created to lucifer in advent and dimensionality equally that of a window he had encountered in the museum. His monochrome works vary widely in medium, from paintings to sculpture, but all remain striking meditations on form; devoid of the intrusion of the relationships between colours.
x. Olivier Mosset
An integral member of the Parisian minimalist art group BMPT, Swiss artist Olivier Mosset (1944- ) is defended to exploring and eradicating fixed ideas of what it ways to be an artist. Best known for his big calibration monochromatic pieces, Mosset'south art can be idea of as self-axiomatic and devoid of metaphor.
Interested in repetitive patterns and an abolition of subjectivity, Mosset produced over 200 identical oil paintings of a pocket-sized black circle in the center of a white square canvas from 1966-1974. This exploration was a challenge to preconceived notions of art creation, and all of his pieces are an extension of this conceptual abstraction. A representation purely of color and shape, his work allows for countless interpretation and experience.
11. Gerhard Richter
Courtesy of Tate
In a moment of groovy dissimilarity, German artist Gerhard Richter (1932- ) produced a series of monochrome, all-gray paintings, right subsequently unveiling a set of vibrantly-coloured works. His explorations of grey take prompted him to explain his involvement in the hue,
"Grey is the image of non-statement. It does non trigger off feelings or associations, it is actually neither visible nor invisible…Similar no other colour it is suitable for illustrating 'zero'."
Gerhard Richter
His apartment, concrete-wall-like works of the 1970s explored his creative abilities to create a lack of statement, emotion, and impression. However, more recently, at the plow of the century, Richter has explored the hue in tandem with reflectivity. By utilising the medium of drinking glass in his newer monochrome collection Eight Grey, the reflective surface integrates the art viewer into the slice itself, emphasizing the reality of individual experience and perception.
12. Christopher Wool
Courtesy of Tate
Inextricably linked to his use of monochrome including oil paintings of large black stenciled letters on a white canvas, American artist Christopher Wool'due south (1955- ) works explore the intersection and gaps between revealed and concealed.
Wool first screen prints monochrome elements that he has taken from photographs or images reproduced from his own paintings onto a canvas. He so applies layer upon layer of white paint to the works. This layering creates a smudging, erasing, and veiling event, producing a feeling of ephemerality the ghost of his previous work. The resulting palimpsests can then be viewed equally for what they prove, as well every bit what they hide.
Relevant sources to acquire more
Learn more than from the Tate
Explore colour theory from the Bauhaus here
Read nigh Dansaekhwa: The Meditative Korean Art of Monochrome Painting
Source: https://magazine.artland.com/the-monochrome-a-history-of-simplicity-in-painting/
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